Archive for the "Rantin'" Category
2 reviews of Marcus Intalex
Posted: Monday - Jan 25th, 2010
So yeah, a few of us went to Montreal Saturday night to check out Marcus Intalex. I’d been looking forward to the show for a long time, given that he’s one of my favorite tastemakers and all that sort of jazz; you can see my enthusiasm for this show in my previous post.
As I often do when I hit a show in another town and I don’t have to drive, I had a few drinks that night. Usually this works out quite well, adding to the feeling of “yes!” that I get whenever I go to see an excellent deejay in a foreign city. Unfortunately, Intalex’ performance didn’t turn out to be what I’d call “excellent”, so instead of being in a great mood I ended up pretty pissed off with just about everything. In fact, I got so annoyed that at one point I sat down in a corner of the club and wrote a drunken review.
I read it the next day, and was amused by the angst in it. I figured it’d be an excellent bit of writing to post on here… so here it is, complete with random meanderings and typos.
Review #1: Drunk
What a nugget of joy! Can you tell I was vexed? The second review’s a bit more… balanced.
Review #2: Sober
I think I set myself up for a fall for this show.
The Intalex is one of the few bigtime drum & bass deejays / producers I still follow religiously. I tend to snap up his new releases when they come out, and I download his excellent but infrequent Soul:ution podcast whenever it’s available on mp3. His taste in music has always been A-1 and as far as I can remember the quality of his tunes has never lagged for periods of any period of time. In summary, he’s one of the most consistent jungle guys out there.
I’m just not sure how strong a “live” deejay his is.
There’s a big difference between putting together an internet radio show and playing a live set to 300 people in a club. On the internet you can pretty much play what you want in whatever order you want; that seems to be the format for Soul:ution Radio, and it works out great. If you’re playing a headlining slot in a live setting, you have to cater more to the audience, and make sure they’re dancing.
My major problem with Intalex’ set was that I think he catered too much. He got them dancing, and once they were dancing, he played the same kind of tune that got them dancing for the rest of the night.
As a deejay and as somebody who likes going out on the floor and dancing, I look for two things in a live deejay set above all else: clean mixing and variety. If you don’t have both of those locked down I’m not interested. Intalex’ mixing was just fine (as I’d hope it would be, given that he’s been playing out for years), but he was brutal when it came to variety. All I heard was rollers, all night long. I have nothing against rollers, they have their time and place in every deejay set and Intalex played some excellent ones (”Entropy” among them). However, as soon as I’d heard 20 minutes of the same kind of beat I started getting annoyed… and when they went on for over an hour and a half I was livid and anxious to get out of there.
Marcus Intalex & ST Files – Entropy
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I suppose a lot of my disappointment is my own fault; if I hadn’t hyped the show to myself as much as I did I probably wouldn’t have been as upset at how it turned out. Still, I can’t help but think that he could have stepped outside of the box a bit more and challenged his audience a bit.
The night wasn’t a complete loss, though. Our host and friend Generic tagged a fun set with Corey K, the event’s promoter. G even played a tune that he and Threesixty had thrown together over the weekend. It sounded great and the crowd responded to it well, which put a smile on my face.
Still, I can’t help but wonder if I’d been cheated by the headliner. Did he play safe because he was in Montreal, a city that Generic described as “not ready” for hearing music that’s a bit more challenging? Or is he just not that good of a live deejay? It’s funny to say it, but I’ll have to see him play in another city to know for sure.
Birthday No. 33
Posted: Monday - Jan 11th, 2010
Today is January 11th. This is my 33rd birthday. It’s strange thinking that I’ve lived (almost) a third of a century.
Usually when Jan 11th comes around on the calendar I tend to get a bit morbid, thinking about my own mortality and whatnot… and this year was no exception. I was amused when the first tune I got SIMH (stuck in my head) in my 33rd year was “Struggle To The Grave” by Random Movement.
A few weeks ago I started thinking about age and how it changes you when it comes to music. I’ve been pretty disengaged from what’s happening in popular music for a while now, but in the last few weeks the realization at how out of touch I am with current trends in music really sunk in. I imagine if I was asked to deejay at a high school dance I’d probably get booed out of the gym after the first 15 minutes.
I have no idea what kids listen to anymore, and I’m getting increasingly comfortable with that. I chalk a lot of that comfort up to generational shift, that moment where an adult’s taste in music begins to set like cement and slowly becomes invulnerable to the newest hits that are flooding nightclub dance floors with teenagers. The way I see it, generational shift is somewhat hard-coded into human DNA and it’s only a matter of time before it kicks in.
I think the rest of that comfort comes with the fact that I’ve been disengaged from trends in pop music for a long time now. I’ve never been a big fan of pop, I haven’t watched MuchMusic in years and I don’t remember the last time I tuned the radio to anything that wasn’t the CBC or Team 1200. When I worked at the Ottawa Sun this one girl used to play Hot 89.9 all the time and after the first half an hour I got the nagging feeling that my brain cells were dying at a much faster rate than normal.
Am I babbling? Whoops. What was I talking about? Oh yeah; pop music blows and today’s my birthday.
After that “one year closer to the grave” bit of morbidity died down, my mood improved and I got a cheerier tune SIMH, “Birthday” by The Sugarcubes from 1987.
Bjork’s awesome. No matter what she’s sounding like or what style/genre her albums take on she’s always managed to make an interesting spectacle of herself. She also dated Goldie for a little bit… I can’t imagine what sort of music their kids would have made if they’d had any.
The rest of my day was fine. It was nice and warm out so I went for a drive and played Hudson Mohawke’s Essential Mix real loud with the windows down. Then I came home, had dinner with my fam and here I am.
Thanks to everybody who left me a note on Facebook today. If you’d like to give me some birthday props in person, come out Thursday, I’ll be hitting up Mr. Scruff @ Ritual. If you don’t know him, he’s a pretty amazing DJ who plays pretty much whatever he likes, be it jazz, soul, house, hip-hop, funk or whatever… as long as it’s got soul. He’s well-known for playing marathon sets of 8 hours or more, so he’ll be playing *all night long*. Yes!
If you still aren’t sure, check out his Essential Mix from last year and/or a recent 5+ hour set of his recorded from Keep It Unreal, his Manchester-based 12 year residency (!). Hope to see you out there!
Download: Mr. Scruff – Essential Mix (2009.02.07)
Stream: Mr Scruff – Keep It Unreal, Live @ Band On The Wall, Manchester
